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beautiful model and girl of deal or no deal aubrie lemon has appeared nude not only in photo shoots, but magazines like playboy (or at least as a cyber girl in july 2002) and has appeared nude in movies about surfing.
with so many choices in nude photos to place here of aubrie lemon, we can’t decide. here is a few semi nude photos of aubrie lemon a briefcase model from deal or no deal, for your enjoyment.
girls of deal or no deal aubrie lemon nude
aubrie lemon was july 2002 playboy cyber girl of the month.
* Place of birth California, USA
* Date of birth October 5th, 1979
Aubrie Lemon is flawless and a beautiful babe California girl. A model since her early teens, this beachy beauty busted out—literally—when she appeared in Playboy’s “Girls of Summer” issue. Commercial and music-video work followed, as well as a spot as a case model (#23) on Deal or No Deal.
It turns out that before our girl of deal or no deal katie cleary got on the show, she was photographed nude for a lingerie book simply called the Book of Lingerie as well as the very popular College Girls issue of playboy.
as soon as we get the photos we will post links here.
We are certain, that for the many thousands of real fans of the hot and sexy babe hayley marie norman, you may have already seen the bedroom sex scene video of this hot girl of deal or no deal. This model has a broader range then most of the super sexy models on deal or no deal, in that hayley marie norman can act as well as look like a hot babe. We have also noticed that hayley marie norman fans are the most vocal, when it comes to correcting us on some of the credits and bio of their favorite girl of deal or no deal.
With that said, we were hoping one of you could identify this photo of hayley marie norman taken during a bedroom sex scene video. Was it a bedroom sex scene video or some other reason that they shot the video scene in the bedroom besides for sex? This picture had our imagination going overdrive. Please send in what was really going on, as we can’t wait to know the real story.
Not sure if any of you girls of deal or no deal fans know this, but every girl on deal or no deal has a price, and can be bought for the hour or the night for your private event or party. (2 hour minimum) It turns out that celebrity broker mike esterman can make your dreams come true. mike esterman will book your favorite deal or no deal sexy model. If money is no object when it comes to having your girl of deal or no deal like:
Claudia Jordan, Stacey Gardner, Lisa Gleave, Keltie Martin, Ursula Mayes, Megan Abrigo, Sara Bronson, Lauren Schohama, Patricia Kara, Anya Monzikova, Katie Cleary, Jill Manas, Leyla Milani, Pilar Lastra, Brooke Long, Krissy Carlson, Jenelle Moreno, Marisa Petroro, Mylinda Tov, Alike Boggan, Tameka Jacobs, Lianna Grethel, Aubrie Lemon, Kelly Brannigan, Hayley Marie Norman, Lindsay Clubine, Lina Vital Roudiva Roudeva, Lindsay Schonweis, Laura Shields, Kasie Head
One of our visitors to girls of deal or no deal commented that many nude photos exist of girls of deal or no deal and would not reveal to us the places to find the nude photos, although he said it would really impress him to see that we found some. Well here are a few links to some nude photos of lisa gleave and bonnie jill laflin, to start your day off.
Recently, we have noticed not only fan sites for the girls of deal or no deal all over myspace, butthe real girls themselves, have all taken notice of http://www.girlsofdealornodeal.com
Why have they taken notice?
As a blog fan site, that invites its readers to become the actual writers of the blog, we allow for all opinions and points of view, of our favorite TV game show deal or no deal.
The only rule, is to stay focused on the sexy hot model babes of girls of deal or no deal.
This stuff going on here is really really getting to me. It really saddens and yet sickens me that any of the models or the real fans that have to deal with all this nonsense.
This is not a true models’ page. This is tabloid trash that is targeting our favorite game show models. The articles are degrading and completely made up. I will definitely voice my frustration there. But I thought I should do it here first. Whoever is in charge of the garbage, I hope they find them and prosecute them because it’s definitely an invasion of privacy they are committing against our favorite models.
Click the programme name for a full description or click the channel name for a complete listing.Deal or No Deal showing on more4, Friday 7th March at 09:00 Deal or No Deal showing on more4 Plus 1, Friday 7th March at 10:00
Girl of deal or no deal, and real life lawyer sexy hot Stacie Gardner, decided on a career in entertainment, and became a model sexy babe on NBC’s Deal Or No Deal. The big news for deal or no deal fans is that Stacey Gardner recently got married to tennis player Mardy Fish, a pal of Andy Roddick. Stacey had a private ceremony, but we hope we can still get some photos from stacey and mardy to show all her fans.
In November of 2007, Mardy Fish became engaged to Stacey Garner, a California attorney and a “Briefcase Model”
Stacey can use the legal education on a good divorce for one of her breifcase babe friends and fellow models, or use the legal degree, to set up a law office when she becomes old and to ugly to keep on the show.
girls of deal or no deal with be following a story about the girls cleavage, boobs, tits, ta ta’s.The story will reveal who we think have real and whose are fake? If you have any information, or have felt them, seen them or own the pair, send in your comments to influence our story. keep reading for updates on http://www.girlofdealornodeal.com
What Your Reality Show Isn’t Telling You
By KEDON WILLIS
1. “Step aside, crime dramas. There’s a new sheriff in town.”
In case you haven’t noticed, reality shows are staking out more and more space in network lineups. In 2001, according to Ted Magder, chair of NYU’s Department of Media, Culture and Communications, major networks devoted three hours a week of their prime-time schedule to reality TV and “challenge” game shows. The number increased to eight in 2002 and jumped to more than 20 in 2007. Today reality TV accounts for 20% of prime-time programming on network television.
Fueling the trend is the format’s comparatively low production costs: typically less than a third of what it takes to produce hour-long dramas. But the bottom line behind the reality boom is ratings. In a Nielsen report for the 2006-07 season, reality shows accounted for six of the top 10 most-watched programs, including all of the top five.
What’s behind our fascination with reality TV? Robert Thompson, a Syracuse University communications professor, says an “evolutionary quirk” compels our curiosity about how others live and function. “It’s why we peer into other people’s medicine cabinets,” he says. “We can’t help it; we’re naturally voyeuristic.”
2. “The reality is, it’s fake.”
Seasoned viewers know that what gets called reality on these shows is often fairly contrived. But few fans know the extent to which the producers mold both people and situations to fit their scripts. It’s common, for example, to feature actors in the role of supposedly real people, says Jeff Bartsch, a freelance editor who has worked on reality shows: “Producers have to do this sometimes because they’re looking for a specific type of person to fit a role.”
But it’s in filming and editing where the magic truly unfolds. Using endless hours of footage, editors often craft whole sequences using a technique called “Franken-biting” to weave together disparate clips, or they’ll dub in contestants’ words out of context — something Patrick Vaughn knows all too well. A former contestant on CBS’s The ‘Amazing Race,’ Vaughn says he was surprised to hear his own voice encouraging the group to find cabs to finish a leg of the race, and recalls that producers were the ones who instructed them to take taxis. A spokesperson for CBS says the change in transportation was “a safety precaution” and that the dubbing of Vaughn’s voice “was done to better describe the scene to the viewer.”
3. “Once you sign our release, we own you.”
Reality TV Watch
It’s no joke, according to Jameka Cameron, a recent contestant on the CBS reality show ‘Big Brother’: “When you sign that document, you’re basically signing away all of your rights — everything.” (Cameron refused to be more specific, due to legal concerns.) So what exactly does she mean by “everything”?
A look at the participant agreement form from CBS’s controversial ‘Kid Nation,’ in which unaccompanied minors struggle to create a society in a desert town, sheds some light on the extent of control the makers of these shows wield over contestants. For example, producers have sole discretion in determining what, if any, medical procedures should be sought in cases of injury, even though they don’t guarantee the credentials of their medical staff.
Furthermore, producers are not liable in cases of death or injury of a contestant during the course of filming on location, and they can’t be held responsible if a child contracts an STD or becomes pregnant. Says CBS: “The series was filmed responsibly and within all applicable laws in the state of New Mexico at the time of production.”
4. “Our background check’s a joke.”
The way reality shows examine the backgrounds of their participants is an area of concern among legal experts. And for good reason — producers love characters who are great at creating conflict, and they’ll overlook important personal information to get them. In 2001’s ‘Big Brother,’ contestant Krista Stegall had a knife held to her throat by another cast member who, it turned out, had previously been arrested for theft and assault charges. (Stegall sued; the case was settled out of court.)
Shhh! There’s more out there that you might not know about. See what your DMV, hospital, restaurant, vet, gas station, plumber, dentist and more aren’t telling you.
10 Things Your DMV Won’t Tell You
Larry Waks, an entertainment lawyer in Texas, says background checks are “still an evolving area” in reality TV and that the big networks are getting stricter. But the problem is far from fixed. In October, after one of VH1’s ‘America’s Most Smartest Model’ contestants was arrested for allegedly groping a woman at a party, it was revealed he’d served time for assault, harassment, criminal contempt and trespassing. (”We do thorough background checks,” says a spokesperson for the show. “We’re continuing to investigate the matter.”) Los Angeles entertainment lawyer Neville Johnson doesn’t like what he sees. “I’m concerned about the characters they recruit for the sake of drama,” he says.
5. “Even our crew members don’t know what they’re in for.”
Participants on reality shows aren’t the only ones who don’t know what to expect from the experience — crew members are often subjected to highly unpredictable situations as well. Osvaldo Silvera Jr., a director of photography who’s worked on shows including ‘Top Chef’ and ‘Miami Ink,’ says the first rule he learned on a reality set was “always keep your camera rolling no matter what.” That included the time he followed a subject into a room only to have the door slammed in his face, hitting his camera and knocking him to the ground. Cinematographer Aaron Schnobrich recalls filming a reality pilot in Red Square during a demonstration. “One of the camera operators was hauled off by officers in front of me, and I barely escaped from being caught,” he says.
How do shows prepare crew members for such crazy working conditions? Mostly, they don’t. “Not in the sense of confrontation management or anything like that,” Schnobrich says. And since the cameras are usually manned by freelancers rather than union labor, producers face little if any resistance. “Especially in reality TV, everyone works freelance,” Schnobrich says. “It’s the trick of the industry.”
6. “Ad execs are the new producers.”
Product placement is the big thing in TV advertising, and reality shows are the main vehicle. Leading the way is ‘American Idol’, whose sponsors spend millions to sew their products into the show — which is why, for instance, the Coca-Cola brand on the cups at the judges’ table faces the camera. “Reality TV is rife with it,” says Mark Andrejevic, author of ‘Reality TV: The Work of Being Watched.’ It’s “selling you something without trying, and it works.” Advertisers spent $1.5 billion on product placement in 2006, according to PQ Media, a 58% increase from 2005. And double-digit growth is projected over the next five years.
Reality Show Secrets
The real reality: Do TV home renovators even have licenses? Were ‘American Gladiators’ stars on drugs? Take a look at these and other “secrets.”
Some advertisers even want to design whole shows around their products. Last fall, for example, MTV premiered ‘The Gamekillers,’ whose concept was developed by Bartle Bogle Hagarty, the agency that pushes Axe deodorant for Unilever PLC. The basis of the show was to see if male contestants could “keep their cool” under pressure — while wearing Axe. Don’t be surprised if you start seeing more of these ad-minded concepts, says Andrejevic. “This may be the direction marketing starts going.”
7. “Go ahead and sue us — you’ll have a hard time winning.”
Reality-based shows are famous for subjecting participants to intriguingly dangerous situations. But creators hardly ever have to pay up in the event that someone gets injured or even killed. It’s not that people haven’t tried to sue — they have — it’s just that they virtually never win, according to Eric Robinson, staff attorney for the Media Law Resource Center. Robinson has tracked 14 such cases. Half were dismissed outright, and only one resulted in an arbitration award for the plaintiff.
Just ask Jill Mouser, who in 2003 filed suit in Los Angeles for battery and gross negligence after being held in a harness for 40 minutes for CBS’s reality show ‘Culture Shock.’ She claimed that producers failed to warn her just how physically taxing the show would be. The release form she signed said differently; she lost. According to Larry Waks, release forms have gotten increasingly broad to ensure that networks and producers are indemnified from any claims of liability. So if you’re intent on participating in a reality show, the most you can do is be aware of the risks and read all the waivers very carefully. Because, says Waks, “they’ve all stood up. The releases I see have all been found to prevent suits.”
8. “Reality TV? You mean celebrity TV.”
The landscape for reality TV has changed rapidly over the past few years. Competition shows and unscripted dramas once dominated the landscape, but it wasn’t long before celebrities began infiltrating the reality format. “When reality TV started, its whole appeal was that ‘these are not stars — it’s unscripted!’” says Robert Thompson. “Then all of a sudden, we have ‘The Osbournes’ and ‘Surreal Life.’” And it wasn’t long before network stalwarts like CBS and NBC began catching on to the trend, with celebrity versions of shows like ‘The Apprentice’ and ‘The Mole.’
Elayne Rapping, professor of American studies at SUNY Buffalo, says that the influx of celebrities into the genre makes sense, because “it became something they could do to keep their careers going.” As for viewers, “we want to see [celebrities] being real,” Rapping says. “This is a country that’s addicted to celebrity.” Case in point: ABC’s ‘Dancing With the Stars’ drew an impressive 22 million viewers for its first season’s finale, in 2005, and it was the No. 1 show in all of television during the fall 2007 season.
9. “We steal a lot of our best ideas from Europe.”
If you happen to sally forth across the Pond and catch a show on British TV that’s exactly like ‘Dancing With the Stars,’ it means you’re watching ‘Strictly Come Dancing,’ the popular U.K. progenitor of the U.S. hit. In fact, of the nine reality shows listed in the top 50 of Nielsen’s ranking report for the 2006-07 season, only three were developed by domestic production companies — and they were among the lowest rated. The reason? Foreign studios have been mining the reality-TV vein for a lot longer than American studios, and they soon started packaging and reselling concepts at a frenzied pace.
Netherlands-based Endemol, the force behind such reality hits as ‘Extreme Makeover: Home Edition,’ ‘Deal or No Deal’ and ‘Big Brother,’ farms out formats to other countries, stripping away cultural nuances and tweaking shows so they better suit their new home. The company even throws in a coach with the deal to consult with local producers on how to successfully adapt the show’s basic elements. The goal, says David Goldberg, chairman of Endemol in the U.S., is to “exploit our content across as many markets as we can.” Indeed, ‘Big Brother’ has variations in almost 40 countries. “It’s as if there’s nothing original about reality TV,” author Andrejevic says.
Shhh! There’s more out there that you might not know about. See what your DMV, hospital, restaurant, vet, gas station, plumber, dentist and more aren’t telling you.
10 Things Your DMV Won’t Tell You
10. “Get used to it — we’re not going away anytime soon.”
Since the 1990s, network television has been strained by the expense of original programming. According to NYU’s Magder, producing an hour of original dramatic television averages a cool $3 million and can run much higher (ratings darling ‘ER,’ for example, cost $13 million an episode in its heyday). Compare that with the cost of producing reality shows, which generally run less than $1 million per hour, and you’ll understand why networks won’t be abandoning the format anytime soon. “They can’t do without them now,” says Magder. “The writing overhead is much less. They’re easy to produce. It’s a good economic model.”
Another boon: As the writers strike aptly demonstrated, reality shows help hedge against union and labor demands related to producing scripted shows. Does that mean reality programming is destined to take over prime time completely? Not necessarily, says Magder. There may be a short-term increase at present, but don’t expect the networks to abandon scripted dramas altogether. “The new model of scripted and unscripted shows is too good,” he says. For networks to survive, “there must be a mix.”
Anya Monzikova, who is one of, or the most liked girls of deal or no deal, has been hiding a secret. During a maxim magazine photoshoot and video, Anya Monzikova #10 was always seen wearing a one piece swimsuit which covered any stretch marks after her pregnancy. Anya, who is never seen without heavy makeup, covers up her face or hides behind huge dark sunglasses. As more news of her 2 children become known, you will hear about it at girlsofdealornodeal.com
Anya Monzikova’s mother and family have been caring for her 2 children.
Anya Monzikova’s daughter
Anya Monzikova’s son.
Anya Monzikova girl of deal or no deal and her brother, who is apparently taking care of anya’s children.
Ellen DeGeneres appears as a special celebrity guest girl of deal or no deal. Ellen is seen on the show dressed as a model substitute, in a matching green one piece, with her signature sneakers in place of high heel shoes, and wearing pants under the green piece. case number 4 is usually handled by sexy babe keltie martin. this show aired 1/16/08.
The New York Times story about the girls of deal or no deal.
What a wonderful story that focuses on the girls of deal or no deal. Very informative, many original behind the scene photos in the original in the NY Times. We think you will learn much in the following story.
You Think It’s Easy to Schlep Those Cases in Four-Inch Heels?
Behind the scenes with the suitcase-holding models of “Deal or No Deal.” Although no contestant has won the $1 million grand prize in its two and a half years, the show is an unqualified success
CULVER CITY, Calif. — Minutes before showtime on the set of “Deal or No Deal,” Wendi San George, the program’s chief stylist, is trying to head off a crisis.
Jenelle Moreno, the bearer of suitcase No. 17, is just back from a beach vacation, and her tan is gleaming under the lights. “Can we just put some powder on her chest?” Ms. San George whispers frantically into her walkie-talkie as 2 of the show’s 14 makeup artists scurry across the stage.
“Lisa has a black dot on her left knee,” Ms. San George reports, referring to Lisa Gleave, the carrier of suitcase No. 3. “Then come over to No. 5,” also known as Ursula Mayes. “Her part is really funky to me. Put it in the middle with no bangs like it usually is. And where is Anya?”
The reply crackles back over the radio: “Wardrobe malfunction.” Soon enough Anya Monzikova, holding suitcase No. 10, rushes onstage pulling at the upper portion of her red sequined halter dress, trying to keep what little fabric there is covering at least a portion of her left breast.
For the 26 women who take the stage each week on the NBC hit game show, life is not all glamour and sequins and witty repartee with the host, Howie Mandel. At this taping in mid-January, for instance, there was the 14-hour workday, 8 ½ hours of which involved some or all of the models standing on an Arctic-like soundstage in short, short sleeveless dresses and four-inch heels.
The models are a popular part of this game show that “has no trivia, no stunts, no skill,” as Mr. Mandel put it. “The first time I heard about it, I thought, there’s no game.” One television critic, Phil Rosenthal of The Chicago Tribune, put it less delicately, calling the program an elaborate version of “How many fingers do I have behind my back?”
The game is played like this: A contestant chooses one of 26 suitcases, each worth an amount of money, from 1 cent to $1 million. Leaving that chosen case unopened, the contestant opens the remaining cases, a few at a time, and the amounts assigned to them are wiped off the board. Periodically a caller known as the banker and working for the producers offers the contestant an amount of money to stop playing and give up the sum in the originally selected case. The trick is, that amount might be $1 million — or 1 cent.
Despite having no contestant win the $1 million grand prize in two and a half years of production, “Deal or No Deal’ is an unqualified success. (In a continuing effort to give away the $1 million top prize, the producers have periodically increased the number of $1 million cases, to 12 of the 26 in Wednesday’s episode, scheduled for 8 p.m.)
The program’s average ratings have fallen only slightly from its first season to its current, the third, when it has regularly drawn 15 million viewers per episode. One measure of the show’s success is a soon-to-come spinoff, a half-hour syndicated version that will air five days a week. Mr. Mandel now calls the show “the most exciting thing I’ve ever done.”
The models are an important part of the prime-time success, said Scott St. John, an executive producer. “There is, of course, the visual appeal they have, but it goes beyond that,” he said. “They have wit and charm, and we let that come through on the show.”
They are a diverse group. Stacey Gardner, the usual holder of suitcase No. 2, graduated from law school and says she passed the California bar exam in 2005. Pilar Lastra, No. 14, was Playboy’s Miss August 2004. Aliké Boggan, No. 20, interprets services for the hearing-impaired at her church. Aubrie Lemon, who usually carries No. 23 but who was No. 6 at a recent taping, plays the harp and says she passed the qualifying exam for Mensa.
“It’s nice to kind of exercise my brain a little bit and show I still have it up there,” Ms. Lemon said. “It can just go numb if you sit here for 10 or 12 hours. But a lot of us here are very smart. You would be surprised because we all have this Barbie-doll facade.”
Models have a long history with game shows. “The Price Is Right” had Barker’s Beauties; “Let’s Make a Deal” had Carol Merrill. And, of course, “Wheel of Fortune” made Vanna White a household name.
But no game show has a veritable army of women that is as much a part of the show as the host and the contestants. And in dramatic terms the producers use them to spectacular effect, with an over-the-horizon march at the top of each episode that is one of the most visually compelling entrances on television.
In a lot of modeling ensembles, particularly those that have the goal of making the women uniform, all the models would have to be a similar height. But here they range from 5 foot 4 to over 6 feet. Their dresses, however, are designed so that their hems form a continuous line across a row of four to six women.
Chosen by Dina Cerchione, the costume designer, the dresses are discovered on the rack at a store and then ordered from the manufacturer in lots of 33. Often they are evening gowns that, over three fittings with each model, are cut to miniskirt length. Shoes too tend to be off the rack, from brands like Alfani, Nina and Aldo.
“I think we want to be sexy, but we are a family show,” Ms. Cerchione said. Sexy often wins out, however. Dresses emphasize certain parts of the models’ anatomy — not their clavicles — and it is not much of a secret that some of the women have been surgically enhanced in those areas. (Others simply receive extra padding.)
But the rest of their features — ethnicity, hair color — make the models individually distinct.
“With 26 girls you can’t have all blondes or all brunettes,” said J. C. Carollo, the model casting director. “You have to spice things up.” More than half of the models have been with the show since its beginning, but there is turnover and demand for new talent. While several of the models said they could live just on what they earn from the show, it shoots only two or three days every three weeks. That leaves plenty of time for them to pursue other modeling jobs — a key practice in a profession where the span of career is often only a few years.
The models themselves dismiss the notion that they are little more than eye candy.
“I would be very upset if someone said that to me,” said Lindsay Clubine, bearer of suitcase No. 26. “The girls here are involved in a lot of different charities.” Like Marisa Petroro, No. 18, for example. She had a tumor removed from her arm on her 19th birthday and underwent a year of chemotherapy and radiation; she now is a national spokeswoman for the Sarcoma Foundation of America.
“The girls here are not like Lindsay Lohan or Paris Hilton,” Ms. Clubine said. “They are pretty, but they have good heads on their shoulders.”
on NBC’s 
